Thursday, 6 December 2012

Audience Analysis and Memory as a Key Theme


expand points and make them more related to film.
Importance of memories in representation of social networking.
Fear of loss of sense of self or identity, making film idea stronger presenting character without identity, and in a way presenting a modern fear. (more time on this)  

Tuesday, 20 November 2012

Target Audience

My goal for the short film is to have an impact on an audience member of any age to think on how they might take memory or memories for granted. To get them to imagine what it would be like to not ever have a sense of place.
Because my goal for the short film is to have a reaction from the audience in which they reflect over something we all have no matter the age (memory), I'd say my target audience would be from teenagers to adults.
I think it's likely the short film will be more affective in terms of the response I want, with adults. this is because adults have lived longer and therefore have more memories and increased likelihood of reflection. From that I believe they would be more prone to taking in the underlying points I'm making in my short film.

Tuesday, 6 November 2012

Initial Script Overview


Footage will show fast motion view through the streets around Notting Hill and will slow down when it passes the places mentioned, i.e. 'the smell of food by a restaurant'.

[Ext. Notting Hill Gate. Day.]

First Narrative (voiceover)

"I've developed a large sense of this place over the years;
The wave of tantalising smells erupting from the cafes and restaurants on the high street
The wide variety of styles and personalities in the people
A Saturday down Portobello
A drink in the pub
We all have memories and senses associated with places we have lived, grown, and matured in. Chris doesn't"                  

Next Scene (Birds eye view on Chris waking up in bed)


Footage will show clips of parts of the daily routine in Chris's day.

                  [Int. Chris's House. Day-Night.]

Second Narrative (voiceover)

"Chris wakes up and does the same thing every morning, except he doesn't realise he's doing the same thing.

His brain can only hold 24 hours of memory at a time.

Imagine each day being a new experience and a wonder!
Yet never remembering the wonder.
Chris is happy; he doesn't remember that he can't remember his whole life.
Chris has help from his Nurse 24/7 and is in fact his connection to the rest of his life.
She gets him to write about his day and what happened every night before he goes to sleep.
His diary is the holy grail of his life.
In fact, it is his life.

Ignorance is bliss and Chris doesn't miss those lost memories, because he doesn't remember that he should miss them.
It is sadder to know about his life than to live it.
Take gratitude in memories good and bad; just be glad you can remember them..."


Final Shot: (Back to birds eye view of Chris waking up again in bed the next morning)

Monday, 22 October 2012

Why a Mood Board?

The mood board allowed me to put a lot of the thoughts going around in my head about my coursework idea into something visually representative.
This acted both to begin the structure of the eventual product as well making me more confident in my idea; having all the images in front of me made it feel more substantial.
It was especially useful for the shots I will be doing at the first stages of filming my coursework. As I will be filming all around Notting Hill Gate, researching images for the area presented places online I had forgot about that I will definitely now include in the fast motion sequence.
The films posters all represent films that contain themes similar to the ones I will include in my coursework; such as a sense of time or memory loss. This will allow me to have further points of reference for inspiration and idea.

Friday, 12 October 2012

The Treatment


Fast motion shots speeding through the streets of Notting Hill, London.
Narrative voice talking over fast motion shots about how everyone has those childhood memories.
Narrative will mention those memories including food, people and general places.
Narrative will then state that 'Chris' doesn't, he can only hold twenty four hours of memory at a time.
This will include the opening shot to the next series of shots, which is a birds eye view looking down on chris waking up in bed. The second series of shots will show a daily routine in Chris's day, where he is helped by a Nurse. The Narrative will continue, eventually putting a message across to be grateful for memories you have, good or bad.
Film ends with the same shot of chris shown waking up in bed to start another day.

Monday, 8 October 2012

Radio Trailer Analysis (On Pikochart, new software)

Saturday, 6 October 2012

Don LaFontaine (The voice of Radio)

MENTION HOW YOU ENDED UP RESEARCHING HIM
USE OF DEEP VOICE IN RADIO TRAILER

Don LaFontaine is man who is famous for his voice. He has done countless amounts of work on film trailers and is famous for his authentic and deep voice. Interestingly enough he has created a convention in itself with the use of his voice.
Stereotypically radio film trailers now use the deep voice effect that Don LaFontaine created.

Tuesday, 25 September 2012

Overall Film Analysis Influence




"The Mysterious Explorations of Jasper Morello"has not influenced my plans for my short film directly, however it influenced me in the sense of it presenting very interesting and original ways of editing in producing a short film. I was personally fascinated by the animation and analysed it out of interest for Lucas's technique.



The "Think" trailer influenced my short film directly in the sense that it presented a subtle yet important message to its audience. The message in my short film is of a completely different context, however relevant in narrative structure to the "Think" trailer in how its demonstrated to the audience.



"Where's The Money Ronnie?" influenced me in revealing that a lot can still be done and experimented with, when dealing with a small budget. Meadows created an interesting narrative, staging a crime, where the short film begins with the suspects being interviewed. Only as the film progresses is the action of the crime revealed. This worked well by the end of the film and Meadows posed the statement to his audience, 'You decide' at the end of it. He lets the audience form their own view on who's guilty of the crime. Similarly in film, the message is rather open ended and the effect of it will vary on different members of the audience.

From analysing the three short films above, my idea have been developed and influenced further. I feel confident to now take my treatment further into turning it into a full script with an embedded narrative structure. What particularly struck me as useful from this year's film analysis was the distinct difference in how I watch them when analysing them compared to recreational viewing. It was interesting as I took more notice of camera shots and lighting tones, amongst various other aspects of cinematography and editing. These enriched me in the sense that I have formed a stronger idea of how certain shots can influence the mood of a scene, or the power of a character. This will be vital to keep in my mind when filming my brief.

Monday, 24 September 2012

Where's the Money Ronnie? (Analysis)



This short film by Shane Meadows, presents a group of men relaying a story to what I assume as a group of cops, on what happened at a crime scene. Directly involved are the characters Ronnie, Kevin Carr, Chinkey Perflick and Jock of the Spoono. Less directly involved are a group of three men referred to as the Marzetti brothers (Rico, Chico and Zico), as they are only involved at the end of the crime. The crime that is unfolded to the cops by the characters in the short film all revolves around some stolen money from a shop. Ronnie wanting the money attacks the person who stole the money. Another man then attacks Ronnie and the scene spirals out of control. This is when the Marzetti brothers show up and Ronnie ends up shooting two of them. Apart from the actual crime that happened, each character tells their own story to the cops on what happened, seemingly each one putting themselves in the clear. The ending is left without conclusion in terms of what happened to the men involved in the crime.

It takes place in a town or city, with a suburban type feel to it. The costumes are plain. Each man has a standard outfit for an everyday civilian, most likely because they were all involved in criminal activity. One group of men shown in the short film are all wearing suits. Their 'swagger' evokes them as quite aggressive. One man is shown to have five rings on his hand. Location and costume all contribute to the grittiness of the short film. This includes the fact props are displayed such as guns and knives.



There is background music behind certain parts of the short film but at brief intervals. The music helps to set the tone and expectations of what's to come in short film. For example at one point the group of guys in suits are sitting in a churchyard messing around. A very 'grungy' song plays in the background talking about not getting along with neighbours. This works in line with the short film as it certainly highlights the lack of social civility between the characters.



The short film is shot in black and white. Obviously we don't see real life in black and white, but nether the less the film has large sense of realism. After watching 'This Is England" I've noticed a specific style of social-realism Meadows implements in his film. This sense of realism the black and white colouring presents is magnified by the natural lighting used throughout the whole of the short film. It stays at the same shade of lighting throughout the whole piece.
The Camera movements and shots further add to the sense of realism. As the action sequences are filmed with a handheld camera. The camera shakes and moves side to side and up and down with brash movements. This presents how some ones point of view would look like in the actuality of such an event. Because of this the camera movements contribute to the film in creating the realistic atmosphere.  The camera shots don't go for perfection in capturing the most out of the frame but simply following the action, no matter whether it looks messy. I am not criticising this however, I think it is quite effective.



The editing technique in the short film often quite quick between changing shots to emphasis the frantic atmosphere in a lot of the situations. Meadows actually introduces montage editing into the short film. This is because we see the characters explaining what happened in the crime to the cops and afterwards we see how the crime happened. This again creates the unorganised atmosphere the short film revolves around. However, again works to contribute to the realistic elements. As when a crime actually happens it would play out in the way the short film presents. Possibly my favourite part about the short film is that it is left open ended, without the audience knowing for sure which characters are responsible. Meadows edits in to the final shot the words 'You decide!'

This short film would fall in to the genre of social-realism. All the factors described above contribute to placing it in this type of genre. 

Think Biker TV Commercial (Analysis)


The company behind the commercial are government funded to raise awareness for road safety (The company is called Think!). The commercial displays a series of shots of motorcyclists driving through a city. All the motorcyclists have a bright display of lights attached to their motorcycles with their names in neon lights displayed.
The significance of this is the company, 'Think!, are trying to relay to the audience the importance of being aware of other drivers on the road and especially motorcyclists as they tend to weave in and out of traffic more often.
The reason I'm analysing this commercial is because like my short film, it starts with a jovial tone but ends with a serious message. The difference being the commercial's message is on road safety and mine is on cherishing memories. Two completely different things, yet, similar in how they deliver the message.

The characters are of a reasonably low significance in the commercial. But the small influence they have is important. The commercial doesn't just pose them as strangers driving around. It puts their names on neon lights attached to their motorcycles. This works to personalise the characters more and therefore raise sympathy higher from the audience if they were going to have a crash. It's showing that when someone is killed they have a whole life around them that is lost, including friends, co-workers and family. The photo below shows a driver with a light saying he's just become a dad. This makes it more sentimental.



Since I live in the city, the setting of the commercial helps me to relate it to my life. It also works to convey to others that don't live in the city, that it is considered a more dangerous place to drive than rural areas. Props and costumes entail the motorcyclists in standard clothes of what everyday motorcyclists wear. Since it is a 'Think!' commercial, overall, the costume and setting work almost immediately to convey to the audience that is a road safety advert on being aware of other drivers, especially ones on a motorcycle.

The background music throughout the advert has a very jovial and light-hearted tone. In the past 'Think!' adverts have been quite brutal and forceful showing violent sequences of crashes to get their message across to the audience. However, here it retains its light-hearted music throughout and instead of the message seeming like forceful one, it comes across as something that should be easy to do and pay attention to. A voiceover comes on at the end, stating 'Look out for Tom' and goes on to list other names of the characters on the motorcycle. This again backs up the sense of the company trying to tell the audience it's something easy to do and people must simply exercise what the advert is saying. This is emphasised by the colloquial tone the voiceover has.

The lighting is interesting in how it creates the tone and atmosphere. The advert is shot in the night-time, allowing the neon lights attached to the motorcycles to stand out very obviously against the rest of the objects in the short film. The colourful lights contribute to the jovial atmosphere made by the background music. What the main purpose of the lights show is that they draw a huge amount of attention to the motorcycle drivers, so normal drivers wouldn't even have to be aware of their surroundings to notice them. Therefore what the message behind the lights point out is that in every day life motorcycle drivers don't have vibrant neon lights to point them out to other drivers, so drivers need to be aware of their surroundings, especially when driving at night.



The camera techniques are also interesting in how the commercial makers use them to point out the message of the road safety. For example they do point of view shots. So the camera shot makes it look as if we the audience are looking out from a car onto the road, with the motorcyclist going by (shown below):

This camera shot is directly linked to the message 'Think!' are trying to convey. It's putting the audience into a point of view situation where they through the camera shot look out as if through their car window on a passing motorcycle. This points out a simple/obvious other point in road safety... Look before you turn!

Another point of view shot that I really liked was when the camera shot, show the point of view to be looking at a motorcycle behind the car through a side mirror:

This again is intelligent because it presents the main message of the advert to look out for motorcyclists but again presents another road safety point on checking you side mirrors. This is especially relevant to motorcycles, as they tend to creep round the side of cars.

The editing style is interesting in how 'Think!' are conveying their message. The advert starts with very short shots of the motorcyclists going by, so the audience just view them as normal motorcyclists and don't view them as anything special. However as the advert progresses we see longer takes of the motorcyclists, allowing the audience to read the words on the lights, telling us information about the drivers and showing to the audience they are people like everyone else. They have family, jobs and duties, etc. This works to make people more conscious of driving safely.

The advert wouldn't really belong to a particular genre. It serves the purpose of a safety advert in raising awareness for the public.

Link to Trailer: http://www.youtube.com/watch?v=3-EDJj-gu2Q&safe=active

'The Mysterious Explorations of Jasper Morello' (Film analysis)




The Mysterious Explorations of Jasper Morello is a short film developed by director Anthony Lucas. What immediately is fascinating about this short film is the fact that it's made out of silhouette animation. This made it so distinct features of the characters in the film could not be made out, just their figures. This created a sense of mystery and foreboding around the clip. Thinking this was an ambiguous idea for Lucas to come up with, I was even more surprised when he set this silhouette animation film in the context of a post-modern metropolitan world, with flying ships.



The main protagonist Jasper Morello is a navigator for the futuristic flying ships depicted in the short film. He is recruited for a 'mysterious' excursion away from the city  of Gothia where he lives with his wife Amelia.
Morello is developed fantastically as a character, where throughout the short film tension rises between him and the ships Captain, Griswald, because of a supposed crash that happened prior to the trip at fault to Morello.
Amelia is established as a character more interestingly than most. This is because the majority of the film shows the journey Morello takes away from her and the only dialogue she gets is on radio chats with her husband. She is established as an object of sympathy, later dying from a plague in the film before her husband comes back to save her.
The setting, location, props and costume choices are vital to my interpretation of the film. In fact they are, in my opinion, what gives the film its best qualities. Lucas creates a fantasy world and throughout the short film gives the audience constant surprises of strange aesthetic creatures, floating islands and mysterious abandoned flying ships. Lucas is showing us through these iconic visual elements in his film that he is taking us away from reality and into the world of the 'mysterious explorations of jasper morello'.

 As you can see above the lighting and colour of film completely affect the tone. The city of the main character is called 'Gothia' first of all, a play on the word 'goth'. This symbolises the colour black which is visually represented in the city and in fact all objects in the film. Even the people are structured as looking like shadows. In the photo above there is also an eerie mist floating along the lower part of the screen, with a yellow tinged grainy backdrop to the city. Dull and lifeless colours appear throughout the short film, which is representative of the actual plot, based around a plague that is sweeping through the city of Gothia.

In terms of what we see on screen, a lot of the shots used are establishing or mid shots. I believe Lucas did this because, the environment the characters of the short film are in frequently changes. Establishing shots such as the one below, allows the audience to view the environment, as well as seeing what the characters are doing within it.


Another shot I would like to discuss is a reverse tracking shot. Lucas does this an scene of the short film where a storm has descended down upon the flying the ship the characters are in. The shot starts showing a man outside on top of the ship working equipment, and zooms out to show the whole ship and the storm around it. This shot creates an interesting atmosphere. At the beginning of the shot we get the sense of the character shown struggling with the storm and as it zooms out we get more of a sense of the sheer magnitude of the storm.




 
 Editing certainly affects my interpretation of the short film. Using the storm as an example again, Lucas implements a fast pace type editing style which really works to magnify the sense of panic and disruption the storm is causing for the characters. This is because the shots quickly change between characters on the top of the ship, to run turning the wheel and then another working the other equipment.






 


                                                                                                                                                        

In terms of genre this film would be a hybrid of multiple genres. I would call it a sci-fi fantasy drama. Considering it contains dramatic actions, such as violence and strange creatures (Through that it could also be considered an action and adventure). It would be a sci-fi and fantasy genre in the sense there are creations like flying ships and an alter universe on the whole to the one we recognize in our society.

Short film link: http://www.youtube.com/watch?v=vORsKyopHyM&safe=active